Summer 2018

Visiting Artists Summer 2018

July 16th - September 16th

 
 
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Rachel Brown

Dawn. If you click edit at the top of the page first and then just click on here and replace it with the proper text. You will then need to move this page up from the NOT BEING USED section to join the other exhibition pages. I could meet up tomorrow afternoon if that would work. Remember to press SAVE once you have made th chages - up in the top left corner...


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Marshall Colman

I make contemporary tableware inspired by Mid-Century modern in monochrome and decorated ranges. I'm one of the few ceramicists in Britain using tin glaze, whose opaque white surface lends itself to my style of free brush decoration.

At school I studied A-level art, specialising in art history, and read history at Keele university, near the North Staffordshire Potteries,where I spent my spare time in the art room learning to make pottery on the wheel. I trained at the Rodmell Pottery with Judith Partridge and set up a studio in Camborne,but financial pressures forced a long break,during which I work in public administration. After early retirement I took a BA in Ceramics at Harrow in 2009. My studio is in St. Albans and exhibit my pottery throughout the UK.

Tableware challenge me to make pottery that is both beautiful and practical. I am interested in the place where art and manufacture meet and I subscribe to the ideal of Charles and Ray Eames of getting the best to the greatest number of people for the least.


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Nancy Pickard

I studied mainly ceramics at college, where I indulged my love of materials, texture and colour.  After several years working as a community artist, I found my way into jewellery making, which has provided me with a modest but really enjoyable life.

I'm not a trained silversmith but do know a little about kilns and heat processes, so that's why I started enamelling onto silver and copper and my work has an unusual quality to it. 

Each piece is individually designed and hand made: I hope that people enjoy wearing a little piece of art that has been worked by hand, rather than something that has come from a factory!


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Maggy Roberts

‘It may start with a landscape – but in the end it has to stand as a painting in its own right.I’m not trying to reproduce nature but to distil some of the essence of it, in colours, shapes and emotions.’

I was an illustrator for many years, also teaching illustration at degree level. Working for clients and following briefs has its own constraints and demands but now I work for my own enjoyment and satisfaction. Sketchbooks are a large part of the process; looking, selecting, translating and mark-making. Some images will find another life, in another media or a different size – and perhaps another home.  I live on the Welsh border and some of them are happy in England or Wales. Others have found their way to Scotland, Spain, New England and Australia. 


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Stewart Roberts

If it made me smile then I’m happy. If it made you smile I’m even happier.

Making driftwood animals and objects ticks lots of boxes for me – as well as filling lots of boxes too. I love recycling, re-using, finding new uses for odd objects. I still get to be creative.In previous lives I’ve been a local government officer, countryside officer, graphic designer and lecturer in art and design history. I love living on the Welsh border but, like the River Wye, I just have to go to the sea – to the wonderful sea and sky. Now I have an excuse for  combing beaches or car boot sales and filling my workshop with ‘interesting’ odds and ends.

I make quirky animals, birds and boats etc. People put them in windows, on walls, in conservatories, in gardens. They might even give them names.